The book was published at the beginning of 2012 and I just picked up a copy I had the library order and so I’ve only read Anna Mollow’s essay Is Sex Disability?, but already the book seems rapturous and sophisticated in both scope and nuance.
Mollow develops an interesting thesis most clearly stated in the penultimate sentence of the essay:
Intrinsically obscene, yet inherently asexual: rather than attempting to assume a different position within this impossible paradigm, disability theory should perhaps underscore its pervasiveness as evidence of a disability drive; as a sign, that is, that our culture’s desexualization of disabled people functions to defend against a deeply rooted but seldom acknowledged awareness that all sex is incurably, and perhaps desirably, disabled (Mollow, 310).
Mollow argues that there is an indissoluble link between sex and disability; not to conflate the actual experience of losing a limb to an IED, or the lack of a wheelchair ramp, or blindness to an orgasm. But that within our cultural imagination sex and love are understood as literally disabling; love leaves one stammering and speechless, overcome with unreasonable fits of passion, love can be blinding, or one may become ill as a result of lovesickness. Mollow develops the concept of the ‘Disability Drive’ or “the ways in which, in the cultural imagination (or unconscious), disability is fantasized in terms of a loss of self, of mastery, integrity, and control, a loss that, both desired and feared, is indissociable from sexuality” (Mollow 297).
On the one hand the disabled body is perceived as either asexual or excessively sexual. Someone with a disability may be thought of as not being able to engage in sexual acts and/or embody reproductive futurism either as a result of an impairment or disability or due to forced sterilization programs – whether really existing or enforced at the level of cultural imagination. Or the disabled body may be seen as hypersexualized from certain fetishes to the idea that sex addicts are themselves suffering from a pathological disorder to the idea that disabled people are literally unable to control their sexual desires and emotions.
Yet our cultural imagination simultaneously imagines and desires the loss of self, mastery, and control as the ideal sexual act. Is not the orgasm itself the passing over into a state of impotence par excellence? Is not love itself a state of mindless attraction? Mollow mentions The Symposium as evidence of the ancient roots, but is not The Phaedrus almost a better example in which love is very rationally categorized into a systematized understanding of Madness. Sexuality is destructive, it marks the dissolution of the subject, the breakdown of the phantasmic illusion of a seamlessly unified and whole self. Mollow further traces the genealogical associations of sex and disability to Freudian psychoanalysis which has interpreted sex as “that which is intolerable to the structured self (Mollow, 301). Mollow then proceeds to uncover this connection as more explicitly developed in Bersani’s essay “Is the Rectum a Grave?” which argues that “the most radical originality of psychoanalysis…has to do with a disabled consciousness” (Mollow 300). Sexuality is constituted and exhausted by the “abortive, incomplete and undeveloped ‘essence’ of sexuality” (Mollow, 300). This is what is at the heartof the Disability drive, the mystery ofsexuality is that we seek to both eradicate and repress this self-shattering tension, yet also can’t get enough of it.Where fetishization merges with morbidity, sex meets disability.
Thus all sexuality could be thought of as a tautology for disability.





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